Atelier100 launches collection of “hyper-local” products from London creatives
Ingka Group and H&M’s retail project showcases what can be done when designers use short city-wide supply chains and manufacture within the capital.
“Dyslexia legibility and designer usability”: Daniel Brokstad’s new typeface
Inconstant Regular has been designed to kickstart the There’s Nothing Comic About Dyslexia campaign, which challenges designers to create a dyslexia-friendly typeface.
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Why accessibility must be considered from the start of a project
R/GA group creative director Kyle Wheeler looks at how if you design with inclusivity in mind throughout a project, everyone wins.
Stormbrands overhauls Morrisons’ three own-label ranges
Morrisons’ Free From, Counted and Organic ranges have been repositioned, each with their own unique packaging, colour palette and typography.
Online retailer Made.com on brink of collapse
Made.com suspends customer orders and terminates formal sales process after failing to secure a buyer.
Plant-based cheese brand seeks to “change consumer behaviour” with new identity
Baggi’s rebrand of Honestly Tasty features a new bespoke wordmark incorporating its hero “wedge” symbol as the letter A.
Tyme Bank launches digital service for the Philippines’ 51.2 million unbanked citizens
GoTyme Bank “human first, bank second” branding aims to connect with Filipino culture.
Byron Burgers rebrands as it takes on home delivery market
Taxi Studio creates new look focusing on the “poetry” of Byron Burgers and featuring a Lord Byron-inspired burger pickle character.
How&How creates new “flipped” identity for property platform Flyp
Flyp looks to move away from real estate’s dishonest reputation with a “warm, positive and irreverent” brand strategy and identity.
Is AI a threat or an ally to designers and the industry?
Last week the Communications and Digital Committee met to discuss the future of AI in the creative industries so we have asked designers if they think AI is a friend or
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